Mobius Movie Night (2)

Video works by the Seeking Kali Collective will be screened in Cambridge this Saturday, January 28th at Mobius (55 Norfolk St.)

 Link To Movie Night Event on Mobius website

Movie Night (2) is curated by Mobius Artist Group member EL Putnam.  We'll be exhibiting three works.  While it would be great if everyone came to Boston to see them, I'm going to assume that some who follow the Kali Collective's work won't make it so I'll post some links and descriptions.

The first is called Transmission, a short piece made as a tribute to a glitchy day trying to work out connectivity problems on Skype.

Transmission - Evertson/Vanden Eynde

We're also showing our animated audio work called Laments and Hope, an animated sound piece inspired by status messages from social networks. Short messages of frustration, hope or desires are recorded and layered similar to a musical round.

Laments and Hope - Evertson/Shulman/Vanden Eynde

The final piece is Kali's Sari.  A Butoh performance by Shizu Homma, Jane Wang and Angela Ferrara with a hand painted sari featuring scenes from the Kali Shadow Theater is set to a score by Ian Evertson. The performance was recorded in NYC in May of 2011 and edited by Ria Vanden Eynde and William Evertson for the Seeking Kali Collective.

Kali's Sari - Vanden Eynde/Evertson

Seeking Kali is William Evertson, Susan Shulman and Ria Vanden Eynde.
 

Seeking Kali Website

Number 2

 Kalicorp #2 cover by William Evertson ©2011

Our second comic is now in the mail.  Kalicorp Art Mysteries started as a "one of" project, meant to highlight some of our current projects in the 'advertising'.  It turned out to be a lot of fun to produce a comic look at the mysteries of trying to navigate the Art World. We're artists....We all want to exhibit our work...we want to sell a few pieces...we want that damn grant!  So, we soldier along putting in the studio time and filling the grant applications, networking and all the rest.  Plus looking at a lot of art and wondering, "how the hell is THAT getting shown." So to take our frustrations to a new level we're working on a limited run comic that explains the Mysteries of the Art World.

Kalicorp Meeting ©2011

Take all three of us at Kalicorp, (William Evertson Susan Shulman and Ria Vanden Eynde) and after an evening of exploring our research, we've come to the conclusion that.....well....can't just spoil the fun but we throw everything we've got into explaining the Art World to the layperson.

Susan's Research ©2011

And a word about our "guest villains" - They're actually some of the nicest and most talented artists out there. We include links to their websites and art, be sure to check them out.

if you don't find Kalicorp at your local newsstand you can always get an issue by emailing us at seekingkali @ yahoo.com

So stay safe out there because the Art world is a dangerous place.

Art Mysteries

Cover of Issue # 1 ©2011-Seeking Kali

Who doesn't love a good who-done-it? In our first issue we arrive at Art World hi jinks in mid action. The issue ends with some intriguing questions to address in issue 2 and beyond.

Of course the biggest mystery is why is Seeking Kali taking studio time to make limited run hand made comic books instead of working on our more serious works. After all, recent works have dealt with the Occupy movement and women's rights.  Why not.  Our collaborations over the past two years have run the gamut of print editions, artist books, theater, curating artist calls, video and animation. The Seeking Kali Collective continues to evolve ways of thinking about art process and especially the nature of collaborative efforts.

One way in which we work is to use the Google+ hangouts to discuss potential projects, progress on projects or opportunities to exhibit. The video conferencing is a form of virtual studio space that ideas great and small are discussed, discarded, debated or worked on. In the course of hashing out strategies we often bump up against the usual artists dilemmas; time, money and opportunity. (actually mostly lack of)
Our Kalicorp Art Mysteries is our way of taking a tongue in cheek look see into the problems that vex artists.
Fellow artist/ writer Philip Hartigan received our first issue and wrote a wonderfully thoughtful piece on the Seeking Kali Collective. He actually explains us better than we do. Philip is a Chicago based artist and his blog Praeterita covers not only his own work but many other visual artist that use narrative in their work.

Issue #2 is coming sometime in early January.  There are still a few copies of #1 - contact me with your address.

Grievance Torrent

New video animation from the Seeking Kali Artist Collective.  As we’ve seen the news coverage (or lack of) concerning the Occupy Wall Street movement there has been an endless stream of  reporters seemingly baffled as to it’s purpose.  After my first visit in early October the message seemed clear enough and despite there being many manifestations of the outrage, one problem seems all too clear. Corporate greed and influence has to end.   

This video/ animation simply takes a variety of audio samples either personally recorded or from publicly posted video clips and begins to stack them in the manner of a vocal “round”.

Produced for Storefront for Art and Architecture's Strategies for Public Occupation.

The Seeking Kali Artist Collective is William Evertson, Susan Shulman and Ria Vanden Eynde. 

ABAD in Seattle

 William Evertson - For A Book About Death - Seattle

It’s been a little over two years since the first A Book About Death exhibition at the Emily Harvey Foundation Gallery in NYC.  In 2009 I participated in that group show which included almost 500 international artists. The project was the brainchild of Matthew Rose, who asked artists to contribute 500 postcard versions of our work on the subject of death that would be given away during the course of the exhibit.

Matthew took his cue from an original work of the same name by the late Ray Johnson.  Those of us who attended the opening could never have anticipated the interest in the show, with a line of people waiting to enter the gallery extending up Broadway to Prince St.   Nor would we have anticipated that it would have traveled so far and been exhibited in so many venues.

 William Evertson - Verso of A Book About Death - Seattle

November 11^th is the opening of the 25^th edition of this show at the Quetzalcoatl Gallery in Seattle, Washington.

Nov 11 - Dec 10, 2011Opening: Nov 11 6pm-2amClosing reception: Dec 10, 6pm-2amAlmendra SandovalQUETZALCOATL GALLERY3209 Beacon Ave SSeattle, WA 98144 USA

Archive of ABAD Exhibitions link

Copies of A Book About Death are in the collections of:

2010 Museum of Modern Art, Wales, UK
2009 Museum of Modern Art, New York
2009 LosAngeles County Museum of Art, CA

October is

 - October is breast cancer awareness month and if you scroll down a bit to my last post you see my overview of the F**K the Big C exhibit. The show featured work by three friends and wonderful artists, each one a cancer survivor and an inspiration.

Ria Vanden Eynde, Betty Esperanza and Branka Djordjević have come through their cancers with a positive spirit and each in their own way brought their process to light through the exhibition.

I collaborate with Ria as part of the Seeking Kali Artist Collective and was delighted to make editions from her original pieces.

Ria is donating a portion of the sale price of every print to My Hope Chest. This is a Florida based charity who's mission is helping uninsured breast cancer survivors afford breast reconstruction surgery.

We hope to be able to make at least a $500 donation by the end of October. I invite our friends and supporters to share this post and to consider purchasing a print from one of the editions during the month of October.   A beautiful example of [He]ART'S Healing Power.

Link:   View and purchase prints from Ria's editions Here

Post F**K Cancer

El Sueno - Ria Vanden Eynde

 My friend and fellow Seeking Kali collaborator, Ria Vanden Eynde of Belgium was in the States recently showcasing her work at Jennifer Kosarek's Eve N Odd Gallery.   The exhibit, F**K the Big C,  features work of cancer survivors Betty Esperanza, Branka Djordjević and Ria Vanden Eynde.  All three artists exhibited new works that reveal their elevated intensity, passion for creation and a glimpse of how their cancer and treatments transformed their art practices.  Over the summer I worked with Ria to make small print editions from several of her oils for this show.  Earlier this month I traveled to Florida to deliver the prints for the signing and the exhibit.   I've worked closely with Ria on art collaborations for over two years but it was always across the ocean and by skype, emails and Facebook. It was a great experience meeting, documenting the exhibit and being a part of bringing the works of these remarkable women to Florida.

I’ve struggled more than usual to blog about this exhibit.  Probably because I collaborate with Ria on many other projects outside of her cancer work I fear writing something that typecasts her as a “cancer artist”; that her work is simply about that aspect of her life. Her biography reveals that she has a PhD in Mathematics, a certificate in Gestalt Therapy and perhaps most revealing is Buddhist studies.  The later, I find essential to her work, for it touches on her attention to the details of an examined life and how our human sufferings unite us.  Ria could certainly be teaching advanced mathematics or working as a therapist, yet through her work as an artist she is able to concentrate our attentions on the transformative aspects of the trials we endure throughout life.  Her art has content, it is not art about art but rather art about life.  I sometimes refer to her work as activist art.  Not a blatant in your face superficial take on our common sufferings, but a realization that these trials progress throughout our lives, one after the other and how we cope with change is what defines our lives.

Aggressed Body - Ria Vanden Eynde

Ria told me about the exhibit last winter and we discussed how to work out the problems printing small limited editions.  Ria handled the scanning or the photography of her original pieces while here in the US I would receive the files and make trial proofs which were sent to Belgium for suggestions and final go ahead.


I have to admit that although Ria had approved the final versions of everything that was printed, since I never saw the oils I was somewhat apprehensive that after all the work and travel they weren't going to be faithful to the originals.   As it turned out, we both loved the final printing and had a great time hanging examples from the newly signed editions.

Works from this limited print series are still available online through our Seeking Kali website.  The sale of these small editions of nine prints each directly benefit a charity called My HopeChest, which is the only national breast reconstruction organization working to help “uninsured” women heal completely. 

 Ria Vanden Eynde signing print editions at the Eve N Odd Gallery, St. Petersburg, FL

 Jennifer Kosharek of Eve N Odd Gallery (in red) and Ria Vanden Eynde (center) on the set of NBC Daytime prior to the opening

During the opening Ria read her series of Acrostic Poems from her "Dear Thyroid" series.  The following video shows a small  excerpt (the full performance is on Vimeo)

Ria Vanden Eynde and F**K the Big C

http://www.riavandeneynde.com/

The KALI Edition

 The Kali artists with the three AP copies

We began our limited edition portfolio on the social network platform of Facebook with that status line where it asks, “What’s on your mind?”  At the time I was staring at a tanghka on my studio wall and I idly wrote, “The manifestations of Kali.”  Ria Vanden Eynde of Belgium, an artist I had exchanged some mail art with replied and suggested collaboration on a piece.  Soon Susan Shulman of Canada joined the conversation and the idea of a limited print edition based on the Goddess Kali was born. We had become acquainted through participation in the group show, A Book About Death at the Emily Harvey Gallery in NYC in 2009. Although we never actually met, we were acquainted with each other’s work from the online blog documenting the exhibit.  Over the course of several weeks we worked out some rough guidelines; double sided folios would be folded and placed unbound in a clamshell case.   

We set no deadline but as we shared pieces by posting on Facebook several artists surprised us with their own Kali images. Eventually, we decided to announce an open call for this type of image and were pleasantly surprised when, by last December, we had over 100 works by 80 artists.  The works ranged from traditional media, mixed technique, spoken word, video and performance.  These we documented on a dedicated blog then compiled a DVD of the material. The DVD has since made debuts in Berlin, Montreal and Boston.   

My work on Kali went the route of performance as well and I developed a shadow theater production that was performed on Long Island at CW Post and in Boston at the Mobius Artist Space.  During this period we collaborated on several more projects including posters for International Women's Day and videos, and works for new venues of A Book About Death. 

We finally had enough material by spring of 2011 and I began a process of making trial proofs that were sent to Canada and Belgium for approvals.  The printing and case construction was complete over the course of the summer.  

 The six hands of the artist group Seeking Kali

 All that remained was to finally all meet so the works could be signed.  While I had meet Susan twice on occasions when she visited NYC, both of had yet to meet Ria outside of our weekly Skype progress sessions.  We settled on September in NYC since Ria was traveling to the US for a show of her work in Florida at that time.  All that remained was to determine where to sign the edition. 

   

 Taken at Hyperallergic Headquarters in NYC (photo credit: Hrag Vartanian)

We contacted Hrag Vartanian at the art blogazine Hyperallergic and he graciously agreed to host us as we set up, signed the works and documented the process.  We were pleasantly surprised that that he wrote a short piece on us in Hyperallergic, given the timing of his other deadlines.   

The 18 month journey was complete on September 16^th as we sat in the Williamsburg, Brooklyn Headquarters and signed.  

 The edition, ‘Kali’, rests in a handmade cloth covered 9” x 12” x 2” drop spine case with the title and artist’s names in 24k goldleaf.  We produced this as an edition of 9 with an additional 3 artist proofs.  The books contain 6 double-sided prints from each of us. A hand-stitched booklet contains artist statements, biographies and screen grabs from our original Facebook conversation completes the edition.   Folio sheets are printed on Moab 190 Entrada rag with the Epson Stylus Pro 3800 ink jet.   

The edition is available starting in October through TBCL (The Book Collectors Library) a Montreal based dealer of Livre d'Artiste.  I'll make the link to TBCL when the book is posted to their site.  More information on our collective works and future projects can be found at seekingkali.com

 Inside the Kali edition case

Art in the Dark

 The road to our house after Hurricane Irene

I live in southern Connecticut and was hit rather hard by recent Hurricane Irene.  While our home faired well, the road I live on had many downed trees that took out the power lines.  It took over a week for the power to be restored.  I realize that it is a rather minor inconvenience in comparison to the standard of living most people on the planet are forced to endure.  Still, it was enough time for me to reflect on the practice and process of artists in other times or other circumstances; the times before instant worldwide communication via the Internet, before phones, or places where light at night means flickering candlelight.  The work I usually do on the computer ceased.  There was no video editing, no blogging, no photo editing, no submissions for grants.  This was all replaced with the realization that as an artist I was in the dark, seemingly invisible or at least handicapped in efforts to have my work seen.  It was an event that I had plenty of time to prepare for since I could see the storm’s track updated and predicted by excited weathermen.  The dire warnings were in place, so about three days out I went to stock up on the recommended batteries and cell phone chargers and of course there were none to be had….anywhere.  I’m not quite sure when this happened, but note to self: you have to start very early to beat the survivalist crowd….very early!  

 My preparations were a bit more naïve.  Do all art requiring electricity STAT!  Make sure that everything I had agreed to print for my Belgian friend Ria Vanden Eynde was finished in time for the F**K the Big C exhibition in Florida.  Make sure that the editions for our Kali Folios were printed and complete in time to be signed in NYC the next week.  Nail down various hotel and airline reservations.   And then the storm hit. Not huge by hurricane standards but big enough to knock out the power to most of Connecticut.  So art could still be done during the day, but nothing requiring power.  Want to wash a brush?  Haul up some pond water.  Frankly, forced camping isn’t as much fun as a planned camping trip but I did get a chance to focus on some basics.  I printed from a woodblock, made the folio cases to house our editions and spend several evenings gilding by flashlight and an oil lamp.   

From a friends house I checked up on the artworld and discovered that art critic Jerry Saltz who was vacationing had announced several days before that all was well because power was back on in Connecticut. Ha, I thought, perhaps just in the sections that count.  Jerry’s comments on his popular Facebook page were very tongue in cheek concerning the trials and tribulations faced in that section of the state (running low on supplies of pate de foie gras etc)  Now that I am sitting with a laptop, water on tap, a running refrigerator and all the comforts of the first world I’m thanking lucky stars that this was not worse.  I’ve also had enough dark nights to reflect on the parts of the world still suffering from disasters and wonder who is sitting by firelight struggling to make art.

Mail Art Party

I've hosted several Art Parties for local friends over the last couple of years. They are informal affairs where we gather over finger food and art supplies.  The subject matter for the group is emailed to everyone ahead of time and tend to be a bit off beat. Topics like blindfolded painting, paper maché pizzas and masks.  Over the course of an evening we eat, drink, chat and create and everyone leaves with art.  Last Sundays event was mail art and we gathered to support my friend, artist Ria Vanden Eynde, who is gathering mail art as part of her contribution to the F**K the Big C exhibit opening in September. Along with cancer survivors Betty Esperanza of Canada and Branka Djordjević of Luxemburg, they are featured at the Eve N odd Gallery in St. Petersburg, Florida during the month of September. The exhibit features original work from theses 'three sistahs'.  The works are inspirational and the message is that these artists have emerged as stronger women and artists after going through a cancer trajectory, fully determined to Live their Art Life to the fullest. Over the course of the last several months I've worked with Ria to produce small giclée editions of her originals.  A portion of sales from the editions help support My Hope Chest, a Seminole, Florida charity that aids low income women afford breast reconstruction.  The mail art call helps support the American Cancer Society Benjamin Mendick Hope Lodge in Tampa Florida.

Our Art Party focused on Ria's call for artists to submit 4 x 6 examples of mail art to the gallery and during the course of the exhibition visitors may take them home for a donation. The cards are also featured on Ria's mail art blog.  There's still plenty of time to make some art to support Ria, Betty and Branka and cancer charities; there's even time to organize your own Art Party.