_Artifact and Art Box containing Ox and O's - ©evertson09
_Ox and O's with the Artifact and Art stamps
©evertson09
_While working through various carvings of my Hand ᔓtamps I knew I wanted to use them as more than a chop or addition to the mail art I exchange with other artists. I used the tic tac graphic to frame some of the designs and this brought to mind using the hands and their carved symbols in a game.
Starting to wrap the binder board frame with book cloth.
This is the construction of the Artifact and Art Box. The box contains my "game" of Ox and O's. The piece measures 4.5 x 11 x 1.5 inches and contains two stamps as well as other art and "game" material.
Box taking shape with an interior drawing
and a formed copper mesh cradle for each hand.
Cover and ox pen drawing. Box interior showing
Hand ᔓtamps, Samsara collage and pull string
for interior compartment.
Raised lettering on cover is created by stretching the
book cloth over hardened glue.
Tic tac toe is a simple child's game that many have played for ages. Using an X or O as a mark, the players take turns trying to achieve a win by making three marks in a row. As children we sometimes develop strategies that enable us to win; until our opponent catches on. The best play ends in a draw. Simple games such as these are combinational games and the simplicity of the rules lead to predictable choices.
Glueing the interior cover drawing
The box contains two of my stamps: A carving of a hand holding a brush; my symbol of art or artist and the carved word Artifact. The game play, of course, is incidental to a speculation on the nature of our work as artists and by extension our production. A constant play occurs between our works as artists in the marketplace versus our role as conveyers of status, information or insight, and who receives it and how access is distributed or obtained.
Inking the game grids
Even art that attempts to negate the status quo of the fashionable leaves behind relics or artifacts that themselves become collectable.
Ox and O's blank grids - "Instruction Sheet" in center
The center interior picture in the box is the collage I made using Ria Vanden Eynde's "Samsara" drawing of a hand grasping toward a ball (pictured in the previous post) as a starting point. Her note to me: "Samsara: because of our continuous grabbing/ reaching for/ holding on to (what we think) will make us happy, we suffer."
12 comments:
This is so awesome. I'm so impressed with your work. You are amazing.
Thanks for sharing.
Really cool Bill... great concept, great execution... and great that we can read about it here and see it in progress. A little glimpse into another universe...
WOW Bill, it's awesome! It's impressive as idea, as how you came to 'make' it, it's great to read your thought-process&art-associations behind the piece...I'm blown away! Also by the collage you made ;)
I am just fascinated by your analogy as well as the meticulous detail of your work. thanks for sharing your process.
Thanks everyone. I really appreciate the supportive comments. They are always good for spurring the creative process.
Wonderful is the only word I have.
Katelen
Hello Bill - love the process; great to witness. I'm particularly intrigued with your use of tic tac toe (or naughts and crosses)as a metaphor for the game of chance we artists' often find ourselves in. I like to start as near the middle of the board as I can. I guess I could take that analogy one step further and say that if I stay "centred" and true to myself as an artist, I almost always win or draw (no pun intended, of course).
Bill, You are making me want to just drop all these jewelry making tools and run over to my paper and play, play, play!!!!
Fantastic...
Gorgeous packaging, intriguing thought process, great glimpsing into your world of art-making. Fabulous attention to detail. Intriguing collages! I feel I have over-indulged here, the servings were so rich.
It's awesome man Great idea!Thanks for sharing the process of your art with us.
Thanks,
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Karen's explanation did not come close to doing this justice. Beautiful!
Such great work, Bill. Love to see your processes.
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